Some sections on our site are hard to find. Here’s one with lots of cool records in it:
A distinguished member of the Better Records Rock and Pop Hall of Fame .
This Columbia Six-Eye LP has TWO STUNNING SIDES, easily the best we heard in our entire shootout! This is a superb recording, and a copy like this is a true Demo Disc. The vocals are perfection, and every instrument sounds correct and REAL here, with the transparency and clarity to put you right there with the players.
A+++, absolutely amazing! Stunningly clear and high-rez with no shortage of energy or tubey magic, this is As Good As It Gets (AGAIG) — which is very good indeed.
A++ to A+++, an incredible sounding side in its own right. Side one might have a slight advantage in terms of transparency, but otherwise the sound here is very similar.
An audiophile friend of mine played me this record on his big system in a huge dedicated sound room and the effect was glorious. The Hi-Lo’s are a white-bread vocal group from the ’50s that made a lot of forgettable easy listening albums. But one time they hooked up with Marty Paich and his Dek-Tette, which included players like Herb Gellar, Bill Perkins, Bud Shank, Jack Sheldon — top West Cost jazz players all — and recorded this album of standards.
What really makes this album exceptional is the recording itself. The voices are uncannily real. When the jazz musicians take their solos the sound of their instruments is right on the money. You will have a very hard time finding better sound anywhere, especially considering how beautifully spread out the players are on such a wide and deep soundstage.
Marty Paich Is an Arranging Genius
The high point here is Then I’ll Be Tired Of You. The sound is so perfectly suited to the song — everything is exactly where you want it to be, and Marty Paitch’s arrangement is constantly surprising.
The first track on side one is very reminiscent of Art Pepper Plus Eleven, another Marty Paich arranging job that ranks with the best large jazz ensemble works ever recorded.