Some sections on our site are hard to find. Here’s one with lots of cool records in it:
This is the most realistic drum kit I have heard on a non-jazz album in my life. The drum sound on the first track is exactly the sound we all know from hanging around small clubs and our friends’ garage bands. There is simply no audible processing on any part of the kit. The drums are centered behind the vocals and lead instruments, with what sounds like to me the barest of miking, surrounded by just the right amount of unbaffled studio space.
When the drums come in on the first track on side one you will hear immediately what I mean. The third track on side two has especially good drums as well. The vocals on that third track, Message to Michael, are some of the most natural on the album as well. Lena can strain a bit on some songs in the loudest passages, but on others she can belt it out and stay clean all the way to the top. Listen track by track to hear how well she holds up when the bigger choruses come in.
As music lovers and audiophiles this was a truly marvelous discovery for us years ago. True, we’ve known about the album for a long time, but as a practical matter it’s been impossible to find enough clean copies to do a shootout — until now of course.
Dave Sanders, a name I — and no doubt most audiophiles — was not familiar with, brilliantly engineered the album as well as other favorites of ours, including Szabo’s 1969, Gilberto’s Windy and McFarland’s Does The Sun Really Shine On The Moon? It’s hard to find a recording he did that isn’t full of Tubey Magic, huge studio space and right-on-the-money instrumental timbres.
Richard Tee plays the Hammond organ on this record and he almost single handedly can take the credit for making these songs swing. He’s constantly weaving behind, underneath and around the vocals and the guitars, supporting the arrangements in an especially original way. Add in bassist Chuck Rainey and drummer Grady Tate and you have one of the funkiest, most subtle and sympathetic batch of session players imaginable.
In Depth Review
Click on the Review tab above to see what an insightful critic for Allmusic had to say about the album. If I read that review I would by dying to hear the album. Well, here’s your chance, probably sounding a helluva lot better than the copy he played.
Other recordings that we have found to be especially Tubey Magical can be found here.
Transparency, the other side of the Tubey Magical coin, is also key to the better pressings of this album as well as many of our other favorite demo discs.
The entries linked here may help you gain a better understanding of the issues surrounding Hot Stampers.
And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.
Because in audio, much like the rest of life, hard work and challenges really do pay off.