It’s EXCEPTIONALLY difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues — trust me, most of them would make you cringe.
When you get a good copy, this music is AWESOME! For ’60s power trio hard rock, you just can’t do much better than the studio material.
White Room, Sitting On Top Of The World, Politician, Born Under A Bad Sign — this is the very essence of Classic Blues Rock. Unfortunately, the typical copy barely hints at the potential of this recording, and the audiophile pressings are even worse. (The DCC Gold CDs are especially bad in our opinion; they sound nothing like the good pressings we’ve played over the years.)
Where’s The Bass?
Most early pressings you find these days are thrashed beyond belief. We used to pick up every clean Plum & Gold label copy we’d find back in he day, but no more. We gave up. The Cream magic was just plain missing from the early domestic pressings. The problem is simple: a glaring lack of bass.
Let’s think about that. Cream is a power trio. The music absolutely demands a solid, weighty bottom end. Sacrifice the bass and the sound is just too lean to rock.
We can sum up the sound of the whomp-less copies in a word: fatiguing. As is always the case, some copies sound better than others, but none could give us the kind of bass that we were hoping for.
And Then There Was Whomp…
We had pretty much given up hope of ever hearing this album sounding better than decent — until a few years ago when we dropped the needle on a copy that sounded like this bad boy. From the moment the needle hit the groove we heard bottom-end information that was completely missing on the other copies we played. There was ACTUAL DEEP BASS — but that wasn’t all.
The drums were punchier, with dramatically more power. The guitar was Tubey Magical beyond belief, yet still clear and crisp. Here was the Wheels Of Fire sound we had been looking for.
The Studio Sides: Superb
Both sides are punchy, powerful, and alive. You really get a sense of how hard Ginger Baker is pounding his kit.
The transparency is astonishing, allowing you to hear much more texture and detail than you’d ever notice on most pressings. It’s open and spacious with real depth to the soundfield — you can really hear into the music on this copy.
The vocals are breathy and full-bodied, and you can really hear the room around the drums. The guitars have a wonderfully meaty texture and lack the edgy quality found on most other copies we played. The sound JUMPS out of the speakers and fills the room — it’s HUGE!
The Live Sides: Rockin’
Everything you’d want sonically from a live Cream recording is here and more — big-time presence, tons of life, tonal correctness, and loads of Tubey Magic. The vocals sound wonderful and the bass is PERFECTION. We never knew the live material could sound this good — it’s OUT OF THIS WORLD!