This commentary is about two things — knowing the kind of music you like, and getting the kind of sound you want.
If you believe what you read on the various sites where audiophiles freely dispense advice about everything under the sun regarding music, recordings and equipment, you are asking for trouble and you are surely going to get it. You will encounter an endless supply of half-truths, untruths and just plain nonsense, more often than not defended tooth and nail by those with typing skills but not much enthusiasm for the tedium of critical listening. (more…)
RUDY VAN GELDER is one of our favorite recording and mastering engineers. Click on the link to find our in-stock Rudy Van Gelder engineered albums, along with plenty of our famous commentary.
The really good RVG pressings (often on the later labels) sound shockingly close to live music — uncompressed, present, full of energy, with the instruments clearly located on a wide and often deep soundstage, surrounded by the natural space and cool air of his New Jersey studio. As our stereo has improved, and we’ve found better pressings and learned how to clean them better, his “you-are-there” live jazz sound has come to impress us more and more. (more…)
For our recent shootout of The Firebird we had three minty, potentially hot copies of the Mercury with Dorati, as well as our noisy ref. (We have a noisy reference copy for just about every major title by now. We have been doing these shootouts for a very long time. After thirty years in the record business we have accumulated a World Class collection of great sounding records that just too noisy to sell.)
We had one FR pressing and two of the later pressings with the lighter label, the ones that most often come with Philips M2 stampers. This is how we described the winner:
So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression.
Lifelike, immediate, front row center sound like few records you have ever heard.
Rich, sweet strings, especially for a Mercury. This side really gets quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy.
strong>What we didn’t say — and what we never say in the listings — is what the second tier copies didn’t do as well as the shootout winner. (more…)
Michael just got a nice copy of Zep IV from us. His letter follows.
Well son of a bitch. Do you know how many tube combinations, cartridge adjustments, turntable adjustments, speakers, speaker placements, and other hocus pocus shit I’ve gone through after listening to a Led Zeppelin album I have where Bonham was barely present and Page’s guitar would wear my ears out within 2 songs thinking this can’t be the way they sounded…I know Bonham hit those drums hard. Well, that ain’t the case with the Zeppelins I recently purchased from you. Shit man, finally. It’s alive! Thank you Tom.(more…)