Some sections on our site are hard to find. Here’s one with lots of cool records in it:
Here’s a typical entry:
We recently conducted another extensive shootout for White Rabbit and it was a BLAST. It always is. Benson and his funky jazz all-stars buds (Ron Carter, Herbie Hancock and Airto to name a few) tear through some great material here, and on both sides of this copy the sound as KILLER.
If you want to hear the best George Benson record we know of, this is the one. The Grammy-winning Breezin’ from 1976 is a perfectly good album but it’s quite a bit more commercial than the earlier White Rabbit here from 1972, his first album to make the top ten on the jazz charts. (more…)
Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.
Yet another in the long list of recordings that really comes alive when you TURN UP YOUR VOLUME.
This album needs to be played LOUD. I used to demonstrate that specific effect a few years ago when I found my first shockingly good Hot Stamper copy back in the late ’90s. I would play the first minute or so of track one at a pretty good level. There’s lots of ambience, there’s a couple of guys who shout things out, there’s a substantial amount of deep bass, and the whole recording has a natural smooth quality to it (which is precisely what allows you to play it at loud volumes).
Then I would turn it up a notch, say about 2-3 DB. I would announce to my friends that this is probably louder than you will ever play this record, but listen to what happens when you do. The soundstage gets wider and deeper, all those guys that shout can be heard more clearly, you start to really feel that deep bass, and when the song gets going, it REALLY gets going.
The energy would be fantastic.
This is one of our favorite albums here at Better Records, and a true ’60s Psych Pop Masterpiece! The sound can be amazing as well, although you’d never know that listening to the average pressing. This copy gives you wall to wall width and layered studio depth like you will not believe, the kind of space you hear on engineering classics like Dark Side of the Moon and A Space in Time.
Want a glimpse into the kind of energy the band was generating in the studio? Drop the needle on Fresh Garbage, the opening track, and you will hear this band come alive in a way you probably never imagined you’d ever hear them. It’s positively startling how immediate and lively the sound is here.
This is the band at their best, fired up and ready to show the world that The Doors are not the only SoCal rock band with innovative ideas about rock music and the performing chops to pull them off, not to mention the studio wizards who managed to get it all down on tape with State-of-the-Art ’60s Rock sound quality.
The Doors Vs. Spirit
If I had to choose between The Doors’ first album and Spirit’s, say for a nice drive up the coast with the top down, no contest, Spirit would get the nod (not to take anything away from The Doors mind you). I had the album on 8 Track back in high school and played it to death. Doing this shootout, hearing the album sound so good after so many years, was nothing less than a THRILL. (I went right up to Amazon and bought a CD for the car. Might just take a drive up the coast.)