Are Your Planets Aligned?
A word of caution: Even our Hottest Stamper copies can sound problematical unless your system is firing on all cylinders. Your electricity has got to be cooking, you’ve got to be using the right room treatments, and ideally you should be using a demagnetizer such as the Talisman on the record itself, your cables (power, interconnect and speaker) as well as the individual drivers of your speakers.
This is a record that’s going to demand a lot from the listener, and we want to make sure that you’re up to the challenge. If you don’t mind putting in a little hard work, here’s a record that will reward you many times over, and probably teach you a thing or two about tweaking your gear in the process.
We’d started and abandoned this shootout multiple times in the previous decade; the typical sounding copy was just too painful to listen to, and the better pressings weren’t doing what we had hoped they would. Where was the Tubey Magical analog sound with the HUGE whomp factor that we’d been hearing on the best copies of Fragile and The Yes Album? We just could not find that sound on Close to the Edge.
As futile as our previous attempts were, we decided in 2008 that we would take another stab at it. After all, there had been quite a few changes around here that had the stereo working really well — the addition of the Odyssey Record Cleaning Machine and Walker Enzyme solution to our cleaning process, the Talisman Magnetic Optimizer, the third pair of Hallographs we added years back, tons of smaller tweaks, and a few other tricks that we’re going to have to leave hidden up our sleeves for now.
The Planets Align
Think about it: This is a highly COMPLEX recording, with HUGE organs, light-speed changes, lots of multi-tracking, and what amounts to an OVERLOAD of musical information. Can you imagine how irritating that would sound on a third-rate copy? We didn’t have to imagine it — we lived through it!
But that’s exactly what made the shootout so rewarding. We had finally gotten the sound we were searching for from Close To The Edge, although it was anything but easy. The toughest peaks to climb are the ones you feel the best at the top of, and I have no doubt that many of you will be able to get there, just as we did, as long as you’re willing to work for it. (We humbly suggest you follow our lead. As we like to say, what works for us can work for you.)
If It Doesn’t Blow You Away…
Send it back, we’ll return all your money. We understand that it’s entirely possible that you won’t be able to unlock the magic in the grooves that we were able to hear. (We failed too, remember? More than once in fact.)
We put a lot of time and energy into getting everything just right for our shootouts, and to hear the album sound amazing you’re going to have to do the same. If it doesn’t all come together and our Hot Stamper Close to the Edge leaves you cold, feel free to send it back for a full refund. That’s always our policy, but we wanted to stress it in regards to this album, because it is VERY difficult to reproduce. (Big speakers are pretty much a must on this one as well.)
And it should be noted that there is distortion on the tape. It’s on every LP copy and it’s on the CD too. There are cacophonous passages that have what sounds like board overload, mike preamp overload, tape saturation or some combination of all three.
The British originals can be good, but they are hard to find and usually have bad vinyl and weak sound. The better MoFi pressings can sound decent, but those are pricey too and have issues of their own. It seems as though our Hot Stamper pressings are the only game in town for those who want to hear this wonderful music sound its best, but you’ve got to be up for the challenge. If you haven’t done the work with your stereo that must be done to play a recording of this complexity and difficulty, save your money.
Better yet, buy it and consider it a challenge. When it starts to work its magic in your system, that’s a pretty clear sign that you’ve actually accomplished something in audio that’s real.
Or Start Here and Work Your Way Up
If you want to hear some classic Yes, specifically from their best years, 1970-72, and don’t yet have the system capable of playing a monster like Close to the Edge, there’s always The Yes Album or Fragile, both of which are much easier to reproduce, The Yes Album especially.
…along these lines can be found below.
This listing: Advances in Playback Technology — More Than Blind Faith has a similar theme.
You can find your very own Hot Stamper pressings by using the techniques we lay out in Hot Stamper Shootouts — The Four Pillars of Success.
We have 70+ Audio Exercises you can try at home for fun and profit.
We have a section for Audio Advice of all kinds.
And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.
Because in audio, much like the rest of life, hard work and challenges really do pay off.