- Off the charts “Triple Triple” (A+++) sound for The Pretenders’ second album – both sides earned our top grade of A+++
- With loads of solid, punchy bass and the richest, smoothest vocal reproduction, this pressing simply could not be beat
- This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
- “What’s more the unique American voice of Hynde matched with the tribal beat of Martin Chambers and spangly guitar of Honeyman-Scott was as close to perfect as a band could get in the late 70s.”
If any of this commentary looks familiar there’s a simple explanation for that fact; it’s lifted practically wholesale from our listings for the first Pretenders album.
The two albums are twins, with the same engineer, the same producer, even the same band members, something that was regrettably and tragically to change soon enough.
Tubey Magic Is Key
This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
Forget the dubby domestic vinyl, these Brit pressings are the only way to go.
And this one is quieter than most. Many of the copies I bought from English record dealers were just BEAT. They kept telling me they played fine (on their Technics tables I’m guessing) but I could not for the life of me replicate their findings for myself here in the states.
This is one of the few that has survived the enthusiasms of the early ’80s and can still be played on audiophile equipment in 2017. That makes it a rare copy indeed.
And it sounds terrific.
Price and Thomas
Bill Price engineered and Chris Thomas produced. You may remember them from the Sex Pistols’ debut and The Clash’s London Calling, two amazingly well-recorded albums. Wish we could find them; as I said, dealing with English record sellers is more often than not an unpleasant, frustrating, not to say expensive, experience I would not wish on anyone.