- For the first time in three years, an amazing Triple Triple (A+++) copy of this excellent Wes Montgomery title
- Both sides here are OUT OF THIS WORLD; this is DEMO DISC Quality Big Production Guitar-led Jazz
- It’s incredibly big, bold, clear, rich and dynamic like no copy we’ve ever played
- Forget the critics, this is one of Wes’s Best Albums of All Time I tell you!
This White Hot Stamper Shootout Winner has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is. Since this is one of Wes’s best albums, hearing this incredible White Hot copy was a THRILL for us and we’re sure it will be as big a thrill for you too.
As Good As It Gets Sound. So natural, transparent and clear. Listen to all the space around the guitar. (On the Cisco you might hear 20% of that space. That’s Heavy Vinyl for you. What a load of crap.)
It starts off a little blurry but quickly gets amazingly good, so good nothing could touch it. This was by far the most musically exciting and involving side we played in our shootout.
Don’t Settle for Less
Beware any and all imitations (even the one I used to like somewhat, the Cisco version). They barely BEGIN to convey the qualities of the real master tape the way this pressing does. This White Hot Stamper exhibits huge amounts of ambience and spaciousnesss, with far more energy and the kind of “see into the studio” quality that only the real thing ever seems to have.
Wall to Wall
Note especially how so much musical information is coming from the far sides of the soundfield. The Cisco reissue makes a mockery of that wall to wall sound, sucking it into the middle and flattening it into a single plane. Ugh.
To be fair — and I always am — the Cisco did beat and will beat many of the copies you might run across. There is a very simple explanation for this: Verve is probably the most poorly mastered label in the history of the world. No other label produced so many wonderful sounding recordings that were turned into lousy sounding LPs — I could list them for days.
Even though we’ve had a bad case of Verve fatigue here at Better Records for a very long time, this album is so special that we took a chance on an open copy at a local store a few years ago, and I’m sure glad we did. It was Out of This World. It blew the doors off the Cisco pressing that we used to like (and recommend) back in 2007. I never knew the album could sound like that.
Everything that’s good about this era of RVG’s recordings, Wes’s music and those glorious Don Sebesky arrangements is here. For my part let me just say that this is the best sounding Wes Montgomery record I have ever played, and musically my personal favorite of his as well.