This copy has Triple Plus Shootout Winning sound on side one!
- A killer Top Copy: Triple Plus (A+++) on the first side, Double Plus (A++) on the second
- The sound is huge — big, wide, deep, and open, with the kind of three-dimensional soundstaging that lets the music unfold in front of you and around you
- Billie Jean and Beat It sound out of this world here, but that’s not fair to the rest of the album since every track does
- “More than just a phenomenon…it is simply great music.” — AMG 5 stars
The sound on this copy is huge — big, wide, deep, and open, with the kind of three-dimensional soundstaging that lets the music unfold in front of you and around you as well. You get the bottom end punch that’s so crucial to this music and tons of energy as well. The bass is meaty and well-defined, showing you the rhythmic foundation that the music needs. The overall sound is transparent with amazing texture to practically every element.
Michael’s voice is marvelous on this copy — breathy, textured, and positively dripping with emotion (just listen to him break down on The Lady in My Life).
A Real Thrill(er)
Thanks to constant improvements in our stereo, we’re now getting this album to sound better than it ever has. Extended highs appeared where none had been before. We were hearing synthesizers buried deep in the mix we’d never heard. All of a sudden, these ’80s pop records had amazing analog magic.
If your system is up to the task, you won’t believe how big and lively this album sounds. Who woulda thunk it?
Good old Bernie Grundman handled the mastering and managed to do a really nice job; unfortunately, most copies of this mass-produced classic don’t give you all that much of the magic.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful originals.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.