Good Records, Bad Records


The only copy of this album that we’ve ever played was awful sounding. Do they all sound as bad as this copy? Surely not, but are any of them better than mediocre? It’s impossible to know. Are we going to buy another? Probably not.

Here’s Saint-Saens / Symphony No. 3 (“Organ”) on an outstanding pressing:

If we have one on the site it can be found here:

Camille Saint-Saens (1835-1921)

The legendary Stuart Eltham engineered this recording for EMI in 1973. You may know his work better from a longtime audiophile TAS List favorite, Massenet’s Le Cid (1971), again with Fremaux conducting the Birmingham Symphony Orchestra.

I had the opportunity to hear the work performed by a university orchestra (California Lutheran Symphony) years back and enjoyed it immensely. I was sitting about ten feet from the woodwind section; it’s a glorious sound from that close, I can tell you that.

Of course no pair of stereo speakers can hope to compete with a full scale pipe organ. The sound was, in a word, immense.

I’d like to think that this record affords the listener something close to that sound, but who am I kidding? No recording can even come close to capturing the sound of a live orchestra. The sound of this very record may be immersive and completely involving, allowing you to forget you’re even listening to a record at all, but the live event is an experience on another level. For rock and jazz, not so much. For orchestral music there is simply no comparison.

What to Listen For (WTLF)

Rich, rosiny, Tubey Magical strings. The copies that did the best in our shootout always had the best string tone, the most richness and the highest resolution.

Deep bass for the organ is key. Many copies were a bit bass-shy and that cost them a lot of points.

Transparency, depth and space are essential to the recreation of that “you are there” feeling, and the best copies had plenty of all three.

Vinyl Condition

Mint Minus Minus is as quiet as any of the top sounding Greensleeve pressings played. (The copies that are even a bit noisier get traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of the Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t sound good.