A distinguished member of the Better Records Rock and Pop Hall of Fame.
Credit engineer PHIL RAMONE for correctly capturing the sound of every instrument here: the guitars, piano, flutes, strings, drums, percussion instruments — everything has the natural timbre of the real thing. I used to think this recording erred on the bright side, but not the Hot Stamper copies. They are tonally Right On The Money.
When the balance lacks lower midrange the sound gets lean, which causes the strings to seem brighter than they really are, a not uncommon problem with some of the pressings we heard.
We had quite a batch of these to play, including imports, originals, reissues (all stereo), and one lone mono, which was so ridiculously bad sounding we tossed it right out of the competition and into the trade pile.
For those of you playing along at home, we are not going to be much help to you here in finding your own Hot Stampers. Every version had strengths and weaknesses and all are represented in the three listings we are putting up today.
AGAIG Side One!
The sound of this side one blew our minds — no other copy could touch it. So open and airy, yet with real weight to the piano and a clear and strong bass line, this copy did EVERYTHING right. The strings are very much part of the ensemble on this album, and getting good string tone, with just the right rosiny texture, the least amount of smear, freedom from shrillness or hardness — this is not easy to do. On the strings, this copy KILLED.
Side two was quite good at A+ to A++, but we found other copies that bested it, including one Triple Plus that was in a league of its own. Even so, this copy on side two would be hard to beat without ten or more carefully cleaned pressings to choose from. At 4 1/2 pluses total, no other copy earned as high a rating. It is the official champion for this go around.
His Best Album
I’m a HUGE fan of Jobim’s music. In my opinion, based on my admittedly limited knowledge of his work, this is the best album he ever made. If you find yourself loving these syncopated beats, you owe it to yourself to check out Sergio Mendes’ music. He did wonderful arrangements of many of Jobim’s songs, and the sound (at least on the Hot Stamper pressings) is out of this world! Astrud Gilberto does wonderful versions too, but her records are very difficult to find in saleable condition. Believe me, we’ve tried.
Here are some other records that we don’t think sound very good in MONO.
Here are some we think can sound amazing in MONO.