WHITE HOT STAMPERS for this overlooked and underrated Doobies album from 1977! Not a lot of hits but a lot of good Sophisticated Soulful Pop songs — the first four tracks on side one are some of the best of the Michael McDonald era, with Nothin’ But a Heartache and There’s a Light on side two making six SUPERB tracks all told.
I’m not even sure you could make the case that Minute By Minute has six tracks of this quality, and I would still find these six superior even if you tried. The consistency may not be as high as MBM, but the high points reach higher, and go deeper emotionally. (Yes, I’m being completely serious.)
And with Hot Stamper sound now you can actually enjoy the album as an audiophile quality recording. Who in his right mind thought this record could sound this good? Not us! We’ve been buying copies with different stampers for years with virtually nothing to show for it. That’s why you haven’t seen a Hot Stamper hit the site, ever.(more…)
I attended this Dec. 2013 concert; it was a thrill like no other. (Well, maybe The Planets.)
“Guest conductor Rafael Frühbeck de Burgos’s attention to detail delivers the razzle dazzle and also discovers renewed radiance in ‘Scheherazade.'”
We did a monster shootout for this music in 2014, one we had been planning for more than two years. On hand were quite a few copies of the Reiner on RCA; the Ansermet on London (CS 6212, his second stereo recording, from 1961, not the earlier and noticeably poorer sounding recording from in 1959); the Ormandy on Columbia, and a few others we felt had shown potential.
The only recordings that held up all the way through — the fourth movement being THE Ball Breaker of all time, for both the engineers and musicians — were those by Reiner and Ansermet. This was disappointing considering how much time and money we spent finding, cleaning and playing those ten or so other pressings.(more…)