We have been touting McCartney’s first solo album for more than a decade. Ever read a word about it in an audiophile context elsewhere? Of course you haven’t! The audiophile world doesn’t know and doesn’t care about great albums like this one, but we at Better Records LIVE for albums with sound and music of this caliber. It’s a permanent resident of our Top 100 List for a reason: no other solo album by a Beatle can touch it.
As for surface issues, we wish we could find them quiet, but that is simply not an option, especially considering how dynamic the recording is. We’ve used every trick in the book to try to get copies of this album to play Mint Minus, but it’s not usually in the cards. Maybe I’m Amazed, in particular, seems to be noisy on nine copies out of every ten. If you’re looking for a copy without any surface noise, you’re probably better off tracking down the DCC Gold CD, which is actually quite good.
But no CD is ever going to sound like our record, not now, not ever. This is where I simply can’t understand how the typical audiophile can make the tradeoff for flat, average sound with quiet vinyl — the sound of these Heavy Vinyl reissues that have sprouted up all over the place, each one worse than the last — and the wonderful, but slightly noisy, sound to be found on the best originals.
Of course the obvious answer is that it is simply too much work to find enough original copies to clean and play in order to come across that needle in a haystack: the Hot Stamper pressing.
The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. It sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.
Always A Struggle
It’s practically impossible to find clean copies of this album that sound good. We went through a big pile of our best copies this week and eventually found the sound (and surfaces) we were looking for. I can’t tell you how many copies we had to toss because they were noisy, had weak sonics, or both.
Looking For The McCartney Magic? Look No Further
In our experience, the real McCartney Magic is only found on the best domestic Apple pressings. We’ve never heard an import that did much for us, and the later CBS issues are hardly worth the vinyl they’re pressed on.
Then again, many of the domestic Apples are garbage too. You’ve got to clean and play a whole lotta copies to find a copy that sounds like this one.
This album, like Unplugged and Band on the Run (and not a whole lot else) is SUPERB from start to finish. At the end of side two you want MORE. I wish I could say that about the rest of his discography.