Month: August 2015

New Paradigms and Old

beatlrubbeoriginalIt is our strongly held belief that if your equipment (regardless of cost) or your critical listening skills do not allow you to hear the kinds of sonic differences among pressings we describe, then whether you are just getting started in audio or are a self-identified audio expert writing for the most prestigious magazines and websites, you still have a very long way to go in this hobby.

Purveyors of the old paradigms — original is better, money buys good sound — may eventually find their approach to records and equipment unsatisfactory (when it isn’t just plain wrong), but they will only do so if they start to rely more on empirical findings and less on convenient theories and received wisdom.

A reviewer we all know well is clearly stuck in the Old Paradigm, illustrated perfectly by this comment:

It’s not my pleasure to be so negative but since I have a clean UK original (signed for me by George Martin!) I’ll not be playing this one again. Yes, there are some panning mistakes and whatever else Martin “cleaned up” but really, sometimes it’s best to leave well-enough (and this album was well-enough!) alone.

We can’t imagine how anyone can have a system in this day and age that can obscure the flaws of the original Parlophone pressings of Rubber Soul (or any other Yellow and Black label Parlophone pressing for that matter). MF apparently does (as do some of our customers, truth be told), but we have something very different indeed. One might even consider it the opposite of such a system. Our system is designed to relentlessly and ruthlessly expose the flaws of every record we play. Only the best of the best can survive that level of scrutiny. This commentary addresses this issue in more depth.
(more…)

The Best Sounding Tom Petty Record We’ve Ever Played

pettydamnt_2015_1347446404Damn the Torpedoes is the best sounding Tom Petty album we have ever played.

Credit must go to SHELLY YAKUS, someone who we freely admit, now with a sense of embarrassment, has never been one of our favorite engineers. After hearing this beyond-White Hot Stamper side two and a killer copy of Animal Notes we realize that we have seriously underestimated the man, and for that we deeply apologize.

If your Damn the Torpedoes doesn’t sound good (and it probably doesn’t), you sure can’t blame him — the master tape is mind-boggling in its size, weight, power and rock n’ roll energy.

Which is why we have determined that the album clearly belongs in our Unconventional Hall of Fame.

Our 2014 better than White Hot Stamper copy had the kind of sound we never expected to hear on Damn The Torpedoes, an album that’s typically bright, thin, pinched and transistory — radio friendly but not especially audiophile friendly.

Well folks, all that’s changed, and by “all” I don’t necessarily mean all to include the records themselves. This may very well be a record that sounded gritty and pinched before it was cleaned. And our stereo has come a long way in the last five or ten years, as I hope yours has too.

One sign that you’re making progress in this hobby is that at least some of the records you’ve played recently, records that had never sounded especially good before, are now sounding very good indeed. In our case Damn the Torpedoes is one of those records. It’s the best sounding Tom Petty album we have ever played.

See all of our Tom Petty pressings in stock
(more…)