We all know the famous story by now. Robert Ludwig’s “Hot Mix” (a complete misnomer, mostly propagated by those with an apparently poor understanding of what goes into the sound of a record – the mix never changed, only the mastering) of Zep II was causing the needle to jump the groove when Ahmet Ertegun’s daughter tried to play it on her cheap turntable, so they recut the record with more compression and cut the bass.
Our Triplanar Mark 6 / Dynavector 17d III combination seems to play the original just fine. Amazingly well in fact.
Here’s a question for all the Heavy Vinyl fans in the world: name all the Heavy Vinyl records that sound as good or better than RL’s cutting of Zep II.
Modern engineers tell us they can cut records better now than ever before, with all the bass and dynamics that previous engineers were forced to limit for the cheap tables and carts of the past.
So where are these so-called New and Improved records, the ones with more bass and dynamics?
I have yet to hear one. Perhaps someone can point me in the right direction.
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