The Decca reissue above just happens to have the material found on one of the most famous and sought-after Shaded Dog pressings in the world, Witches’ Brew (shown below), along with another track added, The Sorcerer’s Apprentice conducted by Ansermet. (As a budget reissue they felt they needed to give you more music in order to get you to buy performances that were no longer current.)
The Decca pressing is tonally much more natural from top to bottom. I used to think that it was the best way to hear the music on Witches’ Brew. Like so much of what happens in the world of records, it is and it isn’t.
Huh?, you say. Okay, here is what I mean. We played a handful of Witches’ Brews over the last year or two, and most of them left a lot to be desired. More than that — most of them were just plain awful. One, and only one, lived up to the hype that surrounds the record. It was so big and so powerful that I would have had no trouble ranking it with the five best sounding classical recordings I’ve ever heard. It was a real WOW moment when the needle hit the groove on that one.