Month: February 2015

Comparing Witches’ Brew on RCA with Danse Macabre on Decca

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The Decca reissue above just happens to have the material found on one of the most famous and sought-after Shaded Dog pressings in the world, Witches’ Brew (shown below), along with another track added, The Sorcerer’s Apprentice conducted by Ansermet. (As a budget reissue they felt they needed to give you more music in order to get you to buy performances that were no longer current.)

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The Decca pressing is tonally much more natural from top to bottom. I used to think that it was the best way to hear the music on Witches’ Brew. Like so much of what happens in the world of records, it is and it isn’t.

Huh?, you say. Okay, here is what I mean. We played a handful of Witches’ Brews over the last year or two, and most of them left a lot to be desired. More than that — most of them were just plain awful. One, and only one, lived up to the hype that surrounds the record. It was so big and so powerful that I would have had no trouble ranking it with the five best sounding classical recordings I’ve ever heard. It was a real WOW moment when the needle hit the groove on that one.
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Unquestionably the Best Sammy Davis Jr. Album We’ve Ever Played

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One of the most emotionally rich and sublimely enjoyable collections of romantic ballads ever recorded.

Our Hot Stamper pressings are guaranteed to demolish the DCC CD (should you have one laying around, an admittedly unlikely proposition to be sure).

The sound is rich, warm and natural beyond expectation — assuming you’ve suffered through other of Sammy’s recordings from the ’60s, as we have, finding little of merit in the sound. On most of them, at some point in the first track the phony vocal EQ and heavy reverb dashed whatever hopes we might have had for the sound. Soon enough the record would be consigned to the trade-in pile, perhaps to find a home where bad sound is not a deal-breaker (which means pretty much everywhere). For us audiophiles, at least most of the time, it has to be.
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