The Band on Heavy Vinyl
A Hall of Shame Pressing and another Heavy Vinyl LP debunked.
Flat, compressed, no top end, no Tubey Magic, this is Ron McMaster’s work at its worst, helped along by the fact that he does not have the original master tape or even a copy of it to work with, but instead the new remix that was made a few years back because the original tape had been lost. And somehow reviewers like it!
I spied an interesting quote from the Acoustic Sounds site years ago:
“…Analogue Productions’ 45rpm remastering improves upon the venerable Athena LP release from the late 80s, with better dynamics and a fuller ‘middle’ to the orchestral sonority.” – Andrew Quint, The Absolute Sound, October 2010
For some reason Andrew uses the word “venerable” when a better, certainly more accurate term would have been “execrable.” Having played the record in question this strikes us as the kind of mistake that would not be easy to make.
Yet another album we are clearly obsessed with
Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.
Led Zeppelin II
Here’s the story of my first encounter with a Hot Stamper Zep II.
I had a friend who had come into possession of a White Label Demo pressing of the second album and wanted to trade it in to me for the Mobile Fidelity pressing that I had played for him once or twice over the years, and which we both thought was The King on that album.
To my shock and dismay, his stupid American copy KILLED the MoFi. It TROUNCED it in every way. The bass was deeper and punchier. Everything was more dynamic. The vocals were more natural and correct sounding. The highs were sweeter and more extended. The whole pressing was just full of life in a way that the Mobile Fidelity wasn’t.
Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; tubey-magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.
We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.
Presenting THE sleeper Tchaikovsky Violin Concerto record of the century.
The Musical Heritage Society (MHS) remastered the original 1967 Melodiya tape in 1979, dramatically improving upon the sound of the version that I knew on Angel, which shouldn’t have been too hard as the Angel is not very good.
Wait a minute. Scratch that. MHS didn’t cut the record, an engineer at a mastering house they contracted out the work to did. Fortunately for us audiophiles, the job fell to none other than the legendary Bill Kipper at Masterdisk.
This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!
As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout.