Month: November 2014

Sometimes the Most Fundamental Questions in Audio Are Simply Overlooked

big_speakers

This commentary is about two things — knowing the kind of music you like, and getting the kind of sound you want.

If you believe a word you read on the various sites where audiophiles freely dispense advice about everything under the sun regarding music, recordings and equipment, you are asking for trouble and you are surely going to get it. You will encounter an endless supply of nonsense, more often than not defended tooth and nail by those with more aptitude for typing than for critical listening.
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Are All MoFis Created Equal? A Pair of Pink Floyd LPs Proved They Aren’t

pinkfdarks_5017_0511b

 

Many if not most audiophiles are still under the misapprehension that Mobile Fidelity, with their strict ’quality control’, managed to eliminate pressing variations of the kind we discuss endlessly on the site.

Such is simply not the case, and it’s child’s play to demonstrate how false this way of thinking is, assuming you have these four things: good cleaning fluids and a machine, multiple copies of the same record, a reasonably revealing stereo, and two working ears. With all four the reality of pressing variations for ALL pressings is both obvious and incontrovertible.

The discussion below of a Hot Stamper Pair of Dark Sides may shed light on some of the issues involved.
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You’ll Be Crying When You Get This Piece of Crap on Your Turntable

lindadont

 

Sonic Grade: F

A Hall of Shame pressing and another MoFi Audiophile LP debunked.

You’re looking at one of the worst audiophile disasters in recent memory. Talk about dead as a doornail sound, folks, if you own this pressing, take it from us, you don’t know what you’re missing. Buy the next domestic copy you spot at your local record store for five bucks and find out. No way it can sound as bad as this compressed, lifeless, dull “audiophile” record.
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British Guy, British Pressing… Right?

costellomyaim

 

Nope. It’s just another Record Myth.

The British pressings are simply not competitive with the best domestics. No import, from any country, can touch a good Columbia pressing from the states. The most common stampers for the Columbia pressings have never sounded very good to these ears, but that doesn’t mean there aren’t some killer copies with different stampers sitting in the bins wearing the generic ’70s Red Columbia label. We’ve heard them. Wish we could find more of them but they are rare and only getting rarer.
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