Original Mono Vs. Original Stereo Vs. Cheap Reissue

rogerjazzw_1408_originalrogerjazzw_1408_1406894965 Leave the originals for the Jazz Collectors

The original Reprise pressing, shown on the left, whether in mono or stereo, has never sounded very good to us. The mono is quite a bit worse than the stereo – no surprise there – but both must be considered poor reflections of the master tape. We sold one many years ago, describing it this way: “Beautiful Original with decent sound — rich, smooth and sweet.” Which it was, but from us that’s little more than damning it with faint praise. The Discovery pressing is so much bigger, clearer and livelier it’s almost hard to imagine it and the 1962 Reprise original were both made from the same tape. Something sure went wrong the first time around — I think it’s safe to say at least that much. Original equals Better? Not for those of us who play records rather than just collect them. Leave the originals for the Jazz Guys. The Hot Stamper reissues are for us Music Loving Audiophiles. Don’t be put off by the title; these are not some sleepy old-fashioned waltzes. This is swingin’ West Coast jazz at its best. The arrangements may be done in waltz time but that sure doesn’t keep them from swingin’. And the amazingly good sound? Credit Bones Howe, a man who knows Tubey Magic like practically no one else in the world. The Association, The Mamas and the Papas, The Fifth Dimension, and even Tom Waits — all their brilliant recordings are the result of Bones Howe’s estimable talents as producer and engineer.

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