Where did this thick, dull, bloated, opaque turd come from? Having played at least 50 copies of the album over the last ten years, I can honestly say I have never heard one that sounded very much like this new version (maybe some record club copy we picked up by accident did, can’t say it never happened).
Can that possibly be a good thing?
Well, in favor of that proposition I guess you could say it sounds less like a CD now. On the other side of the ledger, it now sounds a great deal more like a bad LP. (more…)
Back in 2005 we compared the MFSL pressing of Help to a British Parlophone LP and were — mistakenly, as you may have already surmised — impressed by the MoFi.
Mobile Fidelity did a GREAT JOB with Help!. Help! is a famously dull sounding record. I don’t know of a single original pressing that has the top end mastered properly. Mobile Fidelity restored the highs that are missing from most copies.
The source of the error in our commentary above is in this sentence, see if you can spot it:
I don’t know of a single original pressing that has the top end mastered properly.
Did you figure it out? If you’ve spent much time on our site of course you did. (more…)
We used to like the DCC pressing of this Doors album. Now… not so much. It’s a classic case of We Was Wrong.
Keep in mind that the only way you can never be wrong about your records is simply to avoid playing them. If you have better equipment than you did, say, five years ago, try playing some of your MoFi’s, 180 gram LPs, Japanese pressings, 45 RPM remasters and the like. You might be in for quite a shock.
Of course the qustion on everyone’s mind is, “How does this Hot Stamper copy stack up to the famous DCC pressing?” After all, it’s the one we were touting all through the ’90s as The One To Beat.(more…)